EXHIBITIONS
2020 “MADE IN ЛЕЩЕН“, Little bird place. Group exhibition
2020 “Dualism“,ONE Gallery, group exhibition
2020 "(YOU)(BE)Like me" Arosita Gallery, Sofia
2020 "The Past. Method of use", Nuance Art Gallery, Sofia
2019 "HOMOSOC", PORT A , documentary exhibition, Sofia
2019 "FORMS" AETHER, group exhibition, part of Sofia Pride Events, Sofia
2019 "Art Start" Goethe Institut, group exhibition, Sofia
2018 "EXISTENCE MINIMUM", REPUBLICA , solo exhibition, Sofia
2017 "Open studio", Cite International Des Arts, Paris
2015 Prague Quadrennial of Performance Design and Space, Prague
2014 Via Pontica- International Youth Arts Festival, Balchik
2013 SOHO (Sofia Holistic Coworking Company), first solo exhibition, Sofia
EXHIBITIONS
2020 “MADE IN ЛЕЩЕН“, Little bird place. Group exhibition
2020 “Dualism“,ONE Gallery, group exhibition
2020 "(YOU)(BE)Like me" Arosita Gallery, Sofia
2020 "The Past. Method of use", Nuance Art Gallery, Sofia
2019 "HOMOSOC", PORT A , documentary exhibition, Sofia
2019 "FORMS" AETHER, group exhibition, part of Sofia Pride Events, Sofia
2019 "Art Start" Goethe Institut, group exhibition, Sofia
2018 "EXISTENCE MINIMUM", REPUBLICA , solo exhibition, Sofia
2017 "Open studio", Cite International Des Arts, Paris
2015 Prague Quadrennial of Performance Design and Space, Prague
2014 Via Pontica- International Youth Arts Festival, Balchik
2013 SOHO (Sofia Holistic Coworking Company), first solo exhibition, Sofia
A project by Iskra Blagoeva
A project by Iskra Blagoeva
Rumen Georgiev - photography
Rumen Georgiev - photography
Rumen Georgiev - photography

Krasimir Dobrev 2010 digital print, light box, 50x97 cm

Krasimir Dobrev 1997 oil paint on linen canvas, 46x55 cm

Svilen Stefanov 2018 oil on canvas, 45x100 cm

Krasimir Dobrev 2010 digital print, light box, 50x97 cm
Lazy pass
The slogan "lazy pass" appears in a program text by Krassimir Dobrev and Svilen Stefanov, which they started writing in 2012, puzzled and apparently irritated by the mastication of the rewriting or superimposition of photo images in painting. The text, which suspects many modern authors in "ease" or even "scamming", was completed in 2018 and Krassimir Karabadzakov joined their thesis.
These authors are well-known to connoisseurs of contemporary Bulgarian art. Krassimir Dobrev and Krassimir Karabadzakov comming from the Disco95 group (including names such as Kolyo Karamfilov, Rumen Zhekov and Dimitar Mitovsky) from the 90s. The story of Svilen Stefanov leads us to another emanation of the scandalous prominence of the 90s - the capital group XXL, which may not need a special introduction, especially after last year's retrospective in the National Gallery.
The One Gallery exhibition contains a series of paradoxes set forth in the authors' texts, photographs and paintings. Paradoxically, the text is only seemingly manifested. Being deliberately frantic, at the same time it wants to be modern and “truthful" but also self-denying, by virtue of his theoretical bargaining, over the abyss of folly. And here, in the middle of the unpopular field of schizophrenia, the double-faced Janus graciously closes him in the envelope of a work with an autonomous code. That is precisely what this quasi manifest should read - it is a work itself, it is a language game, not a set of possible pragmatic prescriptions. The exhibited works are also deliberately eclectic, as the authors both show how they have painted photography in the past, how they are now photographing or "telling stories" about photography with the means of painting.
Desislava Zafirova