EXHIBITIONS
2020 “MADE IN ЛЕЩЕН“, Little bird place. Group exhibition
2020 “Dualism“,ONE Gallery, group exhibition
2020 "(YOU)(BE)Like me" Arosita Gallery, Sofia
2020 "The Past. Method of use", Nuance Art Gallery, Sofia
2019 "HOMOSOC", PORT A , documentary exhibition, Sofia
2019 "FORMS" AETHER, group exhibition, part of Sofia Pride Events, Sofia
2019 "Art Start" Goethe Institut, group exhibition, Sofia
2018 "EXISTENCE MINIMUM", REPUBLICA , solo exhibition, Sofia
2017 "Open studio", Cite International Des Arts, Paris
2015 Prague Quadrennial of Performance Design and Space, Prague
2014 Via Pontica- International Youth Arts Festival, Balchik
2013 SOHO (Sofia Holistic Coworking Company), first solo exhibition, Sofia
EXHIBITIONS
2020 “MADE IN ЛЕЩЕН“, Little bird place. Group exhibition
2020 “Dualism“,ONE Gallery, group exhibition
2020 "(YOU)(BE)Like me" Arosita Gallery, Sofia
2020 "The Past. Method of use", Nuance Art Gallery, Sofia
2019 "HOMOSOC", PORT A , documentary exhibition, Sofia
2019 "FORMS" AETHER, group exhibition, part of Sofia Pride Events, Sofia
2019 "Art Start" Goethe Institut, group exhibition, Sofia
2018 "EXISTENCE MINIMUM", REPUBLICA , solo exhibition, Sofia
2017 "Open studio", Cite International Des Arts, Paris
2015 Prague Quadrennial of Performance Design and Space, Prague
2014 Via Pontica- International Youth Arts Festival, Balchik
2013 SOHO (Sofia Holistic Coworking Company), first solo exhibition, Sofia
A project by Iskra Blagoeva
A project by Iskra Blagoeva
Rumen Georgiev - photography
Rumen Georgiev - photography
Rumen Georgiev - photography
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Trains of Thoth
Solo exhibition by:
Da Zain
25/08 - 10/09/2022
TRAINS OF THOTH
by Da Zain
25/08 - 10/09/2022
Vernissage: 25/08/2022 @18:00
Trains of Thoth is an exhibition project combining two transmedia installations that explore the phenomenology and mythology of moving image technologies. They share a format specifically designed to juxtapose motion activated lenticular print animations with fixed viewer position video screenings. The format questions the relationship between embodiment and technology by inviting the viewer to
experience the contrast between the physical arrest of single channel film/video screenings and the motion activated moving image of the lenticular/holographic medium. In the tradition of McLuhan's view of media formats as semantic conduits, Trains of Thoth activates the meanings embedded in specific media frameworks foregrounding ways media, in turn, enframe cognitive experience.